"Clear, trenchant, delightfully opinionated, and thick with virtuosic word play. This book will not disappoint."--Nicholas Cook, author of The Schenker Project: Culture, Race, and Music Theory in Fin-de-siecle Vienna

"Eloquently formulated and laced with wit. A major contribution to critical musicology."--Derek B. Scott, author of Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris, and Vienna
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